Category Archives: College

Owl origami is a #bbkhoot!

This post was contributed by Andrew Youngson, media and publicity officer for Birkbeck, University of London

#bbkhootThe stretch between being offered a place at university and actually commencing studies can seem like an eon when you’re looking to start the next chapter of your life.

To help while away those foot-tapping hours and days, we’ve found a great solution (well we think so anyway!) The bright-eyed, bushy-tailed students who have been offered a place on one of Birkbeck’s many undergraduate programmes which begin in September have been sent a paper-based challenge, featuring a proud emblem of everything Birkbeck represents: the owl.

The Birkbeck owl is not only a symbol of the College’s evening mode of study, but of our students’ collective drive for knowledge and wisdom. And it also happens to be great to construct out of paper!

With this in mind, flat-packed origami owls have been winging their way (pun unabashedly intended) across the city and beyond, along with handy instructions on how to bring them into three-dimensions.

To offer an extra helping hand to our next wave of students, we’ve put together a quick series of photos to show you how your owl should look at the various stages of construction.

And what then? All you need to do is personalise it (if you wish, but why wouldn’t you want to?) and #bbkhoot it! Send us your photos on Twitter (@BirkbeckUoL) and Instagram (@birkbeckuol) with a little message to say why you chose Birkbeck. We look forward seeing your designs.

Click on the top left pic below to start the slideshow…

Find out more

 

Behind the scenes extras…

As an added bonus, here’s a picture of our owl (created by Naomi Smith) taking part in its very own photo shoot. You’re welcome.

 

Birkbeck’s Big Ideas: Slavoj Žižek

This post was contributed by Dr Ben Winyard, of Birkbeck’s Department of External Relations.

Why do we so consistently act against our best collective interests? As the deleterious effects of climate change and the ecological disaster of unsustainable neoliberal models of economic growth become undeniable, why do so many of us take refuge in an affected cynicism, pouring scorn on plutocratic elites while allowing them to continue enriching themselves at the expense of the people and the planet? Why is our response to the democratic deficit evidenced by the crisis in the Eurozone and the global financial crisis one of weary resignation and sardonic inactiveness? In other words, how do we explain human passivity in the face of overwhelming provocation to organise, protest and affect change?

11004113_10155242752270634_1031773294_nBirkbeck’s Big Ideas events consider thought-provoking issues in history, politics, literature, education and philosophy. The current series of five lectures, delivered by Birkbeck and the Whitechapel Ideas Store, explore the work of the theorist Slavoj Žižek, wrestling with some of the philosophical challenges he has thrown at us and considering how he might help us interpret and change our contemporary moment.

Žižek is a something of a superstar and a ubiquitous presence, frequently publishing books (he currently has over 50 titles to his name), penning numerous articles, giving frequent lectures and interviews, and voicing his opinions on countless aspects of modern life. He is also the International Director of the Birkbeck Institute for the Humanities. Although popular, prolific and perspicacious, Žižek is also a famously abstruse thinker, melding German philosophy, Marxist politics and French psychoanalysis to produce idiosyncratic analyses of present-day woes that can be wilfully dense, confusingly complex, blistering and enraged, ludic, larky and purposefully perverse. He is a thinker derided as much as he is admired, starkly dividing opinion with his fiercely erudite approach, his shabby prankster media persona and his forceful, contrary pronouncements.

The first lecture in the series introduced Žižek and considered how he is an important and useful thinker. After a useful biographical sketch from Dane Pedro, a PhD law student at Birkbeck, Jeff Smith-Hayzer of the Whitechapel Ideas Store, a self-proclaimed Žižek fanboy, elucidated some of the key ideas of the ‘Elvis of cultural theory’.

Žižek grew up in communist Slovenia and studied philosophy in Ljubljana and psychoanalysis in Paris. He is unfashionably Marxist, foregrounding the class struggle and deriding capitalism and its politics of consumerist passivity. Although Žižek’s theoretical concerns align him with other ‘postmodern’ thinkers, he is scornful of the idea that we exist in a ‘post-ideological’ world or that we have reached the ‘End of History’, as Francis Fukuyama famously termed it, in which liberal democracy and economics have rightly triumphed as the only effective, logical and ‘natural’ structures for governing and living. Instead, Žižek urges, we must creatively refuse political ‘realities’.

Deploying psychoanalytic frames of reference, Žižek considers how our unconscious fantasies structure reality. For Žižek, modern subjectivity and politics are characterised by a disavowal or split in which we deny or refuse to believe those things that we know. Central to Žižek’s work is a persistent questioning, an unpicking, of the assumptions that shape how we live our lives and his insistence that we traverse the fantasies that shape the Symbolic, the social world of language, ideology, relationships and the law (which Žižek, following the French psychoanalyst Jacques Lacan, calls ‘the big Other’). For Žižek, these psychic mechanisms are appropriated and exploited by ideology and our knowing cynicism actually signifies our thrall to the big Other. The imperative we most guiltily obey these days is ‘Enjoy!’, but, for Žižek, the constrained freedom we exercise within power structures – our ‘freedom’ to choose this or that product, holiday, house – contrasts with the actual freedom to ‘choose the impossible’ and intervene to alter the status quo.

Professor Bill Bowring

Professor Bill Bowring

In the second lecture, Birkbeck’s Professor Bill Bowring considered what Žižek means when he deploys the notoriously slippery and difficult term ‘ideology’. Starting from the OED definition of ideology as a ‘system of ideas and ideals’, Bowring considered how ideology presents society and its institutions as unified, unitary, fixed, unchangeable, rational, natural and universal. We know that our politicians make terrible decisions, but we believe that, ultimately, our governing structures tend towards the good, disavowing the truth of our social reality. Bowring also considered how Žižek has modified and expanded Marx’s notion of ‘commodity fetishism’, which describes the reduction of human worth and social relationships to the level of economic and monetary value. Žižek takes commodity fetishism, by which the oppressive social relations that structure capitalism are made opaque, and aligns it with the Lacanian observation that we disavow that which we know while the fetish conceals the lack around which the Symbolic order is orientated. Bowring also explained how Žižek has taken Lacan’s observation that Marx invented the psychoanalytic notion of the symptom and made this idea central to his work. In psychoanalysis, repressed desires find alternative modes of satisfaction and emerge as symptoms, which are usually debilitating or detrimental to the individual, such as anxiety or obsessive compulsions. For Žižek, the symptom is a universal condition of human life that can never be overcome, only enjoyed, so his work focuses on uncovering those symptoms in culture and politics. This gives his work an almost limitless field of analysis and partly explains his famous intellectual profligacy.

The next lecture in the series will be on Tuesday 24 March when Maria Aristodemou, Senior Lecturer from the Birkbeck School of Law, will discuss how Žižek marshals the psychoanalytic theories of Lacan to explore how consumerism extends and exploits our unconscious fantasies.

Birkbeck alumni welcome new international students

Over 50 new international students met with Birkbeck alumni at the International Alumni Friendship Scheme reception on Friday 4 October.

International alumni event

Birkbeck offers a buddy scheme for new international students whereby they can meet with successful alumni who can offer invaluable advice to the new cohort. Starting university can be a daunting challenge for anyone. Starting a university in a foreign country, however, poses many other difficult challenges that can seem overwhelming at first. Many of the international students who attended the reception have been in the UK for less than a fortnight, making the pairing up of students with Birkbeck alumni vital in enabling the new international cohort to settle into their new life in London.

Tricia King, Pro-Vice-Master for Student Experience and Director of External Relations at Birkbeck, gave a warm welcome to the new students, highlighting the world-class teaching that the College provides. She also spoke of the opportunities that graduating from Birkbeck can lead to, stating: “We are an institution that continues to be in the top one percent of the world’s universities and our graduates have the highest graduate starting salaries of any university in the UK.”

Students asked a wide variety of questions to Birkbeck alumni – anything from general course enquiries and advice about future careers to what actually is an Oyster Card! The evening is only the start of these new friendships; alumni and students will continue to meet up over the coming months to help students settle into Birkbeck and London life.

Man Booker at Birkbeck – Kazuo Ishiguro

This post was provided by Emma Curry, a PhD student in the Department of English and Humanities, working on Dickens’s representations of objects and body parts.

Last year’s inaugural Man Booker event at Birkbeck was an entertaining and fascinating evening, and this year’s discussion between Prof. Russell Celyn Jones and Kazuo Ishiguro (or ‘Ish’ as he was happy to be referred to) continued that high standard. The talk was warm, witty and wide-ranging: Ishiguro spoke at length on his connections with Japan, his writing practices, his use of different voices within his novels, his interest in both individual and collective memory, and the place of art in an exploration of what it means to be human.

As someone with an interest in the process of novel-to-screen adaptations, it was particularly fascinating to hear Ishiguro talk about the film versions of The Remains of the Day and Never Let Me Go. He amusingly revealed that whilst he is credited as ‘executive producer’ on Never Let Me Go, he has very little idea what this title actually means! It was also interesting to hear in this part of the discussion about the process of writerly exchange: whilst Ishiguro writes screenplays, he prefers not to adapt his own work: instead the screenwriter for Never Let Me Go was Alex Garland, who in turn is himself an author, having written the novel (but not the screenplay) The Beach. Whilst some writers dislike the film adaptations of their work, Ishiguro praised what he called the ‘natural’ alliance between the novel and the cinema, suggesting that it was an important connection to both cement and develop in an age of somewhat formulaic, brainless blockbusters.

The discussion was followed by questions from the audience, all of which Ishiguro answered generously and thoughtfully. All in all, the evening was highly enjoyable and a fascinating exploration of a writer’s motivations and inspirations. It uncovered fresh approaches to Never Let Me Go, as well as providing some encouraging suggestions and amusing thoughts on the creation of fiction in general. I look forward to reading much more of Ishiguro’s work!