Monthly Archives: May 2014

London Olympics…we are the Legacy!

This post was contributed by Alessandro Storer, a Stratford resident and Park Champion.

A couple of weeks ago I had the opportunity to attend the first of a series of workshops called “East London In Flux” organised by Fundamental Architectural Inclusion and Birkbeck, University of London.

We started off with a great lecture on Olympic cities that showed how cities have been changing as a result of hosting the Olympic Games. Like everything in life, there have been highs and lows, but London is certainly on the right track to being one of the most successful examples ever! And why’s that? In my opinion it is because of all the excitement that the London Games have generated, because of all the passion and energy of the volunteer Games Makers, and because of the engagement and inclusion of local communities after the Games! We are the Legacy, us people who got excited during the games and are now eager to keep the energy high and make the best of the great gift the Olympics left to the community: an extraordinary park and state of the art sports facilities!

The day organised by Fundamental ended with a tour of the QEOP, accompanied by one of the architects that designed it! It has been amazing to discover so many hidden stories about how the park was built trying to preserve history and respect nature and surroundings!

I still smile thinking about the story of the lonely swan that was joined by a second swan at the end of the works on the Park and are now inseparable! I encourage everybody to go and have a walk in the Park, you’ll be amazed by it…and you might spot the two lovely swans!

Also, do check out the upcoming events of the “East London In Flux” series…a great way to learn new things, meet new people and taking ownership of the London 2012 Olympic Legacy!

Shoulder to Shoulder: Female Suffrage, Second-Wave Feminism and Feminist TV Drama in the 1970s

This post was contributed by Charlotte Knowles, an intern at the Birkbeck Institute for the Humanities.

Thursday 15th May 2014, Birkbeck Cinema.

This film screening and Q&A, held at the Birkbeck cinema, was the first part of a two day event celebrating Shoulder to Shoulder, a BBC mini series first aired in 1974, which told the story of the early women’s suffrage movement in Britain (1890s-1919). The event began with some reflections from the event organisers on the enduring importance of the series, and a screening of the second episode entitled ‘Annie Kenny’. The episode explored the involvement of northern mill girl Annie Kenny in the suffrage movement, reflecting on the central part the working classes played in obtaining women’s suffrage.

The event enabled reflection on the representation of the historical imagination in the media, as well as considerations of the way in which women’s voices still remain unheard today. The event sought to reconnect women’s voices from across history, exploring the way in which the suffrage movement resonated with issues of second wave feminism in the 1970s when the programme was aired, as well as questions of feminist liberation still alive today.

The episode screening was followed by a Q&A with cast and crew from the original series, chaired by Joan Bakewell. The discussion explored the changing face of the BBC, as well as developments in film and production technique – not all positive. There was keen agreement about the enduring importance of this series, celebrating Shoulder to Shoulder as a key text made for and by women. The fact it has only been aired twice on British television (both screenings taking place in 1974) was lamented, and a rallying cry for the BBC to issue and distribute this landmark series on DVD was endorsed by all.

BBKtalks: Working in the Arts

This post was contributed by Éimear Doherty, a student on Birkbeck’s Arts Policy and Management.

BBKtalks was the result of a competition being held by the Centre for Media, Culture and Creative Practice. This three-part series of talks was organised by two MA students of Arts Policy and Management and funded by the Film, Media and Cultural Studies Department, Birkbeck. The talks took place over three weeks in February and March 2014 and introduced six Birkbeck alumni to staff and students at Birkbeck University, as well as very welcome attendees from UCL, King’s College and Goldsmiths.

The overall aim of the series was to engage with a topic which preoccupies many Film, Media and Cultural Studies postgraduates: working in the Arts.

A piece of advice offered at ‘SU Employability: Elevator pitch & Networking Guide’, a workshop organised by the Birkbeck Career Services on 5 November 2013 became the first and crucial step on the way to producing BBKtalks. The guest speaker recommended the audience to “do something every day that will bring you closer to where you wish to be”. BBKtalks aimed to be one of those steps, for all involved.

The following is a summary of the guests’ comments from across the three nights, in response to the topic at the core of BBKtalks: the challenges and potentials of working in today’s Arts sector.

The guidance referenced is a mixture of that provided by guests’ during their presentations and interviews, as well as during post-talk discourse.

1. What rules?

There are none.

Something which rang clear each week was the fact that there is no pre-established path into the Arts.

“There are no rules, officially, when it comes to the arts. London is wide open. You need to create your own rules.  Virginie Peurtolas Syn revealed to the BBKtalks attendees on 6 March. The accounts were provided by Leslie Primo and Lucy Taylor, who have forged careers from two very different directions, availing of postgraduate education at varying points in their professional lives.

However, there are some qualities which are essential. Before you decide what your rules will be, “you need to do your homework and be informed”.

2.       Do Your Homework”

Preparation is key.

The importance of staying informed is crucial. From researching key players in the Arts, to examining the key events and discussions taking place on various platforms. Without the right information, effective networking and successful interviews are not an option.

Two BBKtalks guests, Virginie Puertolas-Syn and Aser El Saqqa, began working in the Arts after over 15 years working in the business sector. Their advice to those making a career change or in the early stages of climbing their chosen ladder, was to make time to do some personal homework by considering their own skillset and finding effective ways of communicating their transferable skills.

3.       Experience, Education and Transferable skills

Practical forms of engagement need to go hand-in-hand with knowledge and information.

Both Lucy Taylor and Hannah Cross acknowledged the benefits of interning and how work placements in various institutions acted as stepping stones as well as networking tools during the early stages of their career. Experience is key. They encouraged the audience to engage with the Arts in a professional capacity as much as possible and as soon as possible. Caro also emphasised this point and found that her internship gave her the freedom to engage with the work and ask questions, without the kind of pressure you would have felt in other roles.

Caro Skyrme enrolled at Birkbeck years into a well-established and successful career. However, for her, much like Virginie, the MA gave confidence, underpinning her expertise. For Caro, the MA was a change to stand back from her working practice and consider issues she could not see or put aside time to engage with from within.

4.       Be Pro-active

If the opportunity is not presenting itself, you have to make the break for yourself.

After getting to know some artists, Caro Skyrme created her own role and became a visual arts consultant. “Just do it”. This could mean moving to a new city and leaving all that you know behind but you need to take a risk and invest in yourself before you can expect anyone else to. For Caro, the key to being pro-active lies in being able to make decisions and follow through. She advised the audience that one take consensus and be prepared to take the slack and the praise. Good planning and preparation (‘do your homework’) is also key, ensuring that solutions and alternative routes should never be far from reach.

Creativity is sometimes about making your own opportunities. Once you make a start, opportunities, offers and openings will follow. However, this “snowball effect” depends on your reputation. “People talk”, said Virginie Peurtolas Syn, making the Arts “a very transparent industry”. Lucy Taylor also emphasised one’s reputation as their most valuable commodity and reminding the audience how the London Arts scene is much smaller than it was first appear.

5.       The 30 second Pitch

It is important to know your key skills and how to make the most of them.

Something which was emphasised over the series of talks, in various ways, was the importance of being able pitch; either yourself or an idea. Ideally, according to Virginie, in less than 30 seconds. The speakers suggested that the audience ask themselves ‘what makes you different?’.

Effective pitching links back to the importance of networking and maintaining a good reputation. Human relationships are key and can determine a lot. One speaker stated how “you need to engage yourself with the sector of the arts who wish to become a part of. Go to people and introduce yourself.” Those among the guests who had experience working abroad championed London for its “flow”, explaining that unlike many other cities they had worked, London was a place where you could network with ease and build genuine contacts and working relationships.

6.       Perseverance and Passion

“People have asked me, ‘why do you do it?’”, admitted Aser to the audience on 6 March

His response? “Because I love it“.

Know what you wish to do and be prepared for the long haul. “Working in the Arts is a lifestyle choice”, remarked Hannah Cross on the second night. This is something that was also discussed by Lucy Taylor and Leslie Primo, who spoke candidly to members of the audience about how they spent their free time. Both emphasised how their work never left like ‘work’; an attitude shared by each of the BBKtalks speakers. Their passion for what they do was unmistakeable.

Finally,

Some words of advice, imparted by our generous guests.

  1.  “Don’t waste your time worrying”
  2. “Don’t be ashamed to ask for help”

It is a challenge to summarise the range of discussions which took place over the three part series of talks and the value advice provided by our six speakers was enough to fill a book.  Should anyone want more information on the talks, please contact Éimear Doherty and Stefania Donini at bbktalks@gmail.com or visit facebook.com/bbktalks2014 and @bbktalks.

East London In Flux II

This post was originally published on the blog Up Your Street.

The thing with most community engagement activities is that the people who put on the show couldn’t care less if you’re there or not. Sometimes the engagement exercises target seniors: When they don’t then the senior wannabee participant is more than invisible. This I have known for ages and corporate engagers be wise that many oldies are on your case.

East London in Flux presented by Fundamental Architectural Inclusion d.o.b. 2003 and Birkbeck, University of London is different to all of the above and valuable to the ethos of community engagement. It’s a programme delivered with passion. Its participants are encouraged to join in and given the confidence to do so. And the sandwiches are nutritious, full, tasty and textured.

Today the room in Birkbeck, University of London in the new Stratford E15  (aka USS hosted by community outreach officer Patrice Buddington) was bursting and a-buzzin’. We came from Stratford, Hackney, Forest Gate, Leyton, Romford, Mauritius and other places north of Watford. Imagine!

As for architecure, I can’t get over the fact that the Uni building is built on one of the meanest pot-holed car-parks of back in the day. Those days when the stealthiest of creeping car-park attendants would sneak out of the shadows: Those times when the parking machine swallowed pound coins then failed to deliver the ticket. Those were the days when you left the theatre production or pre Olympic and Paralympic Games 2012 pop-up workshops early so as not to fork out another load of coins.

The main attraction of this the first in a series of presentations and day-long workshops was the architect-guided walk around the Queen Elizabeth Olympic Park. Laid on were electric scooters, wheelchairs and taxis for the less mobile. The sun shone too. The morning session was all about how architects used any available terrain to construct the Olympic cities. Hitler’s Games came out top in the we- did- it poll not only because the construction/ideological team used media to the hilt when the concept of media as a corporate entity was not invented yet. Even the athletes’ village was great….bungalows. Ooh! give me one.

The heart-warming bit is how junior school kiddies are involved through Architectural in learning through model-making and discussion their role in the Legacy of the London 2012 Games.

Twas brillig.